Of Sky, a Bird, and Art



In my county the cold clung to March with talons.

The sky was ice blue, more glacier blue, and ice crystal clouds played a game of crack-the-whip up next to space in the thin atmosphere.

I want to tear that picture from the sky, paste it in a scrapbook.

My paintings do no sky justice. The only hope I have is to rip the sky from the horizon and glue it on my canvas.

The air was cold but the sun was bright and made prisms dazzle.

A male Finch bumped my window a glancing blow. He was out cold, lying beak up, little feet curled as if perched.

I made a sick bed of a pasteboard box and a fresh warm towel.

I repeated, “You cannot keep a wild thing.”

Once warm and with no apparent damage the addled Finch stirred.

I placed the bird bed outside my window.

Soon the Finch flew—I almost missed its launch.

I knew that bird was back in the sky, part of a picture I had some small part in painting.




The Best Course, Meander



My best course of life has been to meander when my opportunity is open. Straight lines make efficiency. Parallel lines never meet. A meander is like a quilt. I stitch my trail one alley, one street, one dumpster at a time.

I like a double-back-on-itself lolling course be it a walk in the woods or gallery crawl. I was known as the “kid who meanders” rolling along unhurried on the big red shiny Raleigh bicycle. If anyone in town wanted to know what was happening on the “side streets” and down the “alleys” they could get the low-down directly from the horse’s mouth. I usually charged a nickle for the advice. Services rendered.

Up street, down avenue, over alley. Turn, turn, turn, repeat. Stop by the park. Get some funky frozen yogurt. Visit front porch neighbors holding forth from rocking chairs and vintage citizen philosophers solving all problems, their AM-radio on “the ballgame”, freshly painted yard furniture. Shade tree Stoics. Solidly civic and full of pronouncements for young people who would listen and I listened. In bright sun and in haze I rode. Taking my time.  “Be home before the street lights shine,” meaning dusk not when a thunderstorm broke.

In good weather I meandered. When it rained I jumped in puddles. The best course is really the one when you make your opportunities.

Little did I know at the time I was preparing to be amazed, practicing discovery, pushing back the edges of the unknown. Embrace the unknown.



Being ready by Design

Whenever I am in the notion to work I do not want to have to struggle with tools, find things I need, clear off messy work surfaces and do double work type work to make something. I am a one person shop-studio- en plein air Artist. It is up to me to give myself every advantage I am able.

Junk in Plastic Boxes

Containers on a shelf. Like things with like things. 

On the bus I have my tools in a neat vintage Lands End™. One zipper and a snap I am ready to read or sketch. The other places I create are fairly organized, but just. I can wander between projects and return to the easel over many days. Tools line the drawers and parts and pieces fill bins, containers, and the occasional peanut butter jar.

I make it a rule to finish projects– they may not be perfect, that doesn’t matter, I complete my work. Work I’ve promised by a deadline gets to the person before the deadline. If something is needed by Thursday and I get it Monday the piece is ready on Wednesday before 5 p.m.

Because I’m cool? Nope. Because I don’t like things hanging over my head. Besides it’s my word that is worth more than the project I’m working on. If I lose my good name, even if it’s not my fault, then I cannot buy it back.

Brushes cleaned and ready

A process of brush care at the end of a session.

So I keep tools, materials, and work spaces ready for work. I won’t win any awards from minimalist decor folks. I can find anything and I can usually remember where I have filed most of my stuff. That’s my test. Keep like things with like things; label the drawers; use clear containers with labels; put up things as I go and simple processes like that. This keeps something like a mess from hanging over my head.

As I typed before, I admit I won’t win at perfection, zero mess, just a bit of wisdom in the seeming madness. I have a shop-vac, several brooms and dust pants, even a magnet on a rope when needed.

Note I didn’t say “rules”. When things are ‘supposed to be’ done a certain way, or controlled this way, or filled with judgment I usually baulk, or “buck-up” as the Aunties used to say.

Rules are fine but if I make a process that functions well, it will not be perfect. I might leave my acrylic paints all out, in trays that go into a cabinet when I’m finished, but I want to see my materials. It’s like when I get new color pencils–that excites me. I can’t wait to use the new pencil. I’ll even start a new page just to incorporate it into the composition or just go crazy mono-chrome.

Leaving an organized neat area dedicated to acrylics, or oils, or wood-block, or just my easels helps me organize my day-week-month. It’s like my “visual-control” for my project management. I can manage what I see and I “go-and-see” continuously as “walk-around-management” of myself. Big job.

Raygun Build Parts

Selected items ready for  a project.

I know by working with materials on a daily basis, seeing them regularly, and monitoring my progress what I need to replenish. I don’t have duplicated materials, nor do I run out of 20% gray pencils at 3:00 am Sunday morning. I don’t waste time looking for materials and resources; I don’t have waste in duplicated items–6 pounds of “sinker” nails is more than I need for this project–and I keep a re-order list and make a time to order as needed. I also keep a list of items to trade, give away, or sell.

These concepts help me keep my spaces ready to work. Organized for production is what I like to call it. It’s also a fun way to engage with the materials, to bring an idea or inspiration to the front and spring-board into the work.

I have to make the most of every opportunity I make or every time I get the chance to make something that I think is cool. When I’m ready to get busy I am more motivated to do just that.

Going to the shop or to the studio not a struggle, it’s a pleasure.  By design.

Art, Getting Busy

There are those days when someone passes by me whilst I’m at my drawing pad and exclaims, “I can do that!”


Graphite on card stock

I smile and keep drawing. After about a second, because I don’t want to lose the moment, I give them a pad and some pencils.

“Oh, no I couldn’t.”

But you just said your could. Give yourself this little gift, this precious time. Draw!

Some of the materials I favor are readily available at most office supply shops or even pharmacies. I chose them for that reason–wide availability.

Among my supplies I have A4 (8.5 x 11)  paper in white and a few colors, some A6 (4 x 6) plain index card stock, a few color pencils, #2 pencils, and blank journal books.

Then I scoop up my satchel and get busy.

I can do that.

Be Limitless Stray from the Path

The quickest path between two points is a straight line. In a crowded world that is nearly impossible.

I like the winding path. Un-enforced and edge-bumping ways tickle my fancy and are traceable only by having passed by that way.


Stray from the path and be the explorer; sail for the edge of the map; do so with a kindly spirit and merry wonderment. Strive to overcome prior training.

I am sure of a shrinking list of propositions, like efficiency, production, and patterned recipes for success. I am friendlier toward my imagination and what I make when I ask:  “What if I?”

It is alright to stray from the path in Art. Meander in concept and in practice raise the hackles of design.

Fine but how to do all this “straying” and “raising of hackles”?

I suggest give up excuses. Then, consider each new project as an adventure; one that you make. Eliminating excuses means you have to perform. Excuses hold Artists back. Replace excuses with being limitless.


Being limitless means experiment, explore, and expand a given method. Re-focus design, methods, and propositions, or generating more “What if’s”. In short it means give up relying on: “I can’t.”

  • What other tools work? Inventive.
  • What am I truly seeing here? Adaptative.
  • What if this material or method were used as if it were…. [fill in the blank] Experimental.
  • Transfer one set of learning to a new problem. Thinking.
  • Make a new path. Keep your promises. Responsible
  • Instructions are guides not shackles. Authentic voice.
  • Personal experience is the real and the imagined. Placing You in the Design.
  • Starting over is strength. Purposeful.
  • Be thankful for serendipity. Happy accident or unconscious play.
  • Put the “you” into your Art. Make your art a production, featuring your authentic voice. Produce your Art.
  • Create your own projects. That is how you can be truly Expressive.

Becoming Limitless

Back to the allusion of getting from point A to point B in that straight line method of efficiency. In my design I intend to make point B because I can.

Art is My Super-Power


I Artist


I have fears. I think this is common among us humans. Perhaps that is why we crave the created beings with “super-powers” so universally. The sources I cite are our myths and legends as much as a nod to modern creators around the world.

These Super-Beings have flaws, just as I do. I so-identify with their weaker bits. One observation I made early in my reading, even at their weakest they do not quit. They command their fear and they overcome.

Art has a major villain is Fear. It is crippling.

  • What if I fail?
  • Beginnings I fear the most….
  • What if no one likes what I make?
  • “This is rubbish, therefore, I am rubbish.”
  • That is that “mess” supposed to be?

Fear makes Artists “settle”, take fewer risks, make a cocoon and wrap up in it knowing, “I knew I couldn’t make it as an Artist.” So the tools and materials are put up in a cupboard where dust can collect and a comfortable forgetfulness settles.

I propose to laugh in my fears. Laughing at fear is a great way to begin an Art session.

Round One, the Sound of Laughing

  • Stand up
  • Breathe deeply
  • Smile
  • Spread out your arms so you look like a “T”
  • Rotate your arms in a close circle
  • And, Laugh for 45 seconds.

Round Two, the Sound of Laughing some more

  • Sit down
  • Breathe deeply
  • Smile
  • Stamp your feet
  • And, Laugh for 45 seconds

Now after a minute and a half I am on my way to being my Art.

Being my Art? Right, I used to consider my Art as separate from me, Art is something I do. Art is me, my spirit, my mind and its eye, my joy, and my hope. I guard so my Art is not my fear.

Laugh at fear. My Art is my Super-Power.


Next post: I Artist: Be Limitless, Stray from the Path

I Artist, Making the Foundation Good


I need some mercy on my soul
Right now–
Gimme what you got.


Why submit to fear?

  • Other people are counting on your fear. Your anxiety feeds them somehow. Maybe they can sense it on you.
  • That’s why clients are reluctant to pay. And why they ‘micro-manage’.
  • That’s why other Artists are salivating at their shot at what should have been yours.
  • Denying fear isn’t my suggestion. Face it. That maybe the best start. You’ll have to design the next steps.

Re-design yourself.

  • Jettison old bad habits. Heck, give yourself every break you deserve.
  • Have your work space ready for work. Pre-stage your materials.
  • Be ready to burst forth from the gate. Otherwise you’ve hobbled yourself to the ground and it’s 1:00 PM (1300 hours) and you’re staring at a blank some more.
  • Make a list. Do the list. Move forward.
  • Tell them you want more time, more money, more share. Then earn it.
  • Nothing is cheap, excellent, and on-time. Choose two. It’s a good guideline for yourself, for your studio, for us all, and for your clients

Carve out your productive time.

  • Know the cost you pay for every hour in your day. Same as with your rents, your materials, insurance, or any other cost. TIME IS MONEY.
  • Don’t put things off. I know creative people “procrastinate” but when you do, keep it on your project. If you’ve convinced yourself procrastinating puts you in a ‘highly pressurized zone where you do your best work” and that’s working for you. Okay with that. But, if that ‘highly pressurized zone’ is not where you’re getting you the results you want then, d’oh!
  • Manage your time. Work. Rest. Repeat.
  • Production is not equal to Perfect. Better done on-time than perfect.

Minimize distractions.

  • Clear out your calendar.
  • Set your phone aside for a while.

Put yourself into your work. After all it’s why the client, gallery, consumer, or peers chose us.

  • You and I may be unique but there are imitators and copy-cats
  • Only you can do what you do—and that involves being the first one in the door. After that you have to hope © and ™ will protect you.

Keep your promises.

  • Just no compromise here, okay! You don’t have enough treasure to buy a good reputation.
  • Climbing back up from that hole that is ‘broken promises’ or ‘he doesn’t care’ or what a lousy reputation is what was made by not keeping your promises.

If you fail, face it. Who said your should pretend to be super-human? Failure is when you quit. Don’t quit. You’ll never be super-human, okay?

  • Make the adjustments. Get back up. Go again.
  • Improve your work habits. Only you can over-come You.
  • Work so you can feel good about your project.
  • Create that energy, that excitement where you can’t wait to see what amazing Art you’re going to make today.

Take care of your body and your mind. Not an exhaustive list, but hey, work with it for your own life.

  • Rest & Work
  • Nourishment
  • Exercise
  • Cleanliness
  • Relationship time
  • Reflection time

No excuses.

  • Get back up if you fail. Put yourself into all your work.
  • Re-design yourself when needed. Improve your serve: Be your time manager. Don’t throw flexibility out the window. Limit distractions—close your studio for certain hours.
  • Be good to your word. Do what only you can do–produce your Art in a timely manner.
  • Stand up for yourself. Ask for more of everything you can.
  • You are the adult in charge of you. Own that.
  • Be a self-starter. Then do your Art until it is finished. And finished on time.