No Fear Art

I am letting you see my notes to myself.

Art, I mean real involved work has no place for the dross of fear. Fear destroys. You create.

Show your Art. If you hide not many will acknowledge your work. Do not be Invisible.

Set yourself free. You can if you set your mind, body, and soul into your liberation.

Be courageous. Put you into your Art. That is what people want. Your vitals and soul and brains and sinew. It is your story — make it the best story.

You are not a laser printer. You make the Art. You are the only you the world has right now.

Also do not work for free. Take the money. If you value your work so will others.

Set yourself free.

Be courageous.

Do the work.

Show your work.

Be fearless.

Go get ’em.

Lemuel

2018

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Children’s Voices Blessed Noises

Noise

Asian Dragon 3 marked for Word Press March 2018
Four children played a game, “Dragons and Hunters”. Some were Dragons swiftly flying arcs in the kitchen. And they swooped, both arms outstretched as powerful wings, claws at-ready. Dragons snarled imaginary fangs and unleashed bursting fire in puffing breaths.

Fearless Hunters hurled challenges at the Dragons and tossed their make-believe lassos at the flying beasts. Dauntless Hunters pursued their prizes and bragged of the fame they should have as Dragon Riders. Oh, such glory gleamed in their shining faces.

The circular chase and mayhem was thunderous in the children’s imaginary world of flying beasts and brave pursuers. The noise levels rose to the roof when the Hunters cornered the Dragons.

An older woman, a grandmother, finely dressed for an evening gala shushed them, “Such noise, be still, your mother will go deaf.”

The children knew to do as told.

“Children’s noises,” the Grandmother scoffed at their game; she was senior mother after all.

“Children are only little for a short time. I will miss children’s voices when they grow up then leave home.”

“I said noise.”

“I know. I chose a better word.”

Lemuel

2018

 

Character Design Using Narrative

 

Medusa flipped Sketch 2

Sketches are an idea for a drawing or painting made to provide a view for a finished Artwork. The sketch is full of potential.

A sketch is also a short performance, a skit, maybe one scene. Make a sketch memorable make it funny. An imaginary skit has power in character development.

Yes I do Spike my Hair 7-21-17 2

I  like to make a sketch of a character that I have created its back-story. The story helps carry the development of the Art forward. I am story-making with multiple goals but mainly visual. 

Bride 1 Sketch 2

Sketches begin with perhaps no idea at all, only a few marker strokes on some paper. Insert some fun, work around the mistakes, but use some mistakes. Show the character’s, well, character. It’s all non-verbal, the front end of the business is “showing”. The back-room is explaining the character a bit to myself.

Another use of narrative is when a sketch isn’t making it. Then, I invent an imaginary scene to get the ball rolling, I need some extra “juice” to mix with “inspiration” to get my graphical ideas across on paper.

Alright, now it’s show time.

 

 

This is protected intellectual property. It is solely mine. Karma is fierce. Do not take what is not yours. If you see my protected intellectual property and would like to talk contact me. c 2018, c 2017

Vintage Manual Typewriters, Captivating

Captivating

    Typewriter Olympia SM9 frontal pic1

For writing I chose a portable manual typewriter.  The venerable writing machines are captivating old technology that still convey messages and data to others. Typewriters of this ilk are productive with only human power. The use of these machines has given me new insights into my writing process.

I do not reject the “instant”, the digital, nor the have-it-your-way-now world. I watch as words develop instantly on the monitor. I enjoy digital spell checker. I add new words to the computer’s dictionary my way. I still produce documents with typos.

That is my feint in making comparisons. From my view there are no comparisons I find compelling, digital versus manual. In short, I am a different writer when I use a typewriter.

There it is, the human aspect of humane letters or writing the latest RSVP. I could text my response to an invitation. “Write and sent. Done and done,” next task please, “and done”, very efficient, slightly cold and clammy.

I chose to type or hand write a reply since the sender used an envelope and a stamp to get my attention. I responded in kind. Also, I am engaged in a different way.

I might ride a motorcycle or I might ride a horse. I love them both. I go from point A to point “” however I can. I am a different rider on a large sentient animal than one astride a large engine connected by two wheels.

The differences make me different, that is captivating.

Being ready by Design

Whenever I am in the notion to work I do not want to have to struggle with tools, find things I need, clear off messy work surfaces and do double work type work to make something. I am a one person shop-studio- en plein air Artist. It is up to me to give myself every advantage I am able.

Junk in Plastic Boxes

Containers on a shelf. Like things with like things. 

On the bus I have my tools in a neat vintage Lands End™. One zipper and a snap I am ready to read or sketch. The other places I create are fairly organized, but just. I can wander between projects and return to the easel over many days. Tools line the drawers and parts and pieces fill bins, containers, and the occasional peanut butter jar.

I make it a rule to finish projects– they may not be perfect, that doesn’t matter, I complete my work. Work I’ve promised by a deadline gets to the person before the deadline. If something is needed by Thursday and I get it Monday the piece is ready on Wednesday before 5 p.m.

Because I’m cool? Nope. Because I don’t like things hanging over my head. Besides it’s my word that is worth more than the project I’m working on. If I lose my good name, even if it’s not my fault, then I cannot buy it back.

Brushes cleaned and ready

A process of brush care at the end of a session.

So I keep tools, materials, and work spaces ready for work. I won’t win any awards from minimalist decor folks. I can find anything and I can usually remember where I have filed most of my stuff. That’s my test. Keep like things with like things; label the drawers; use clear containers with labels; put up things as I go and simple processes like that. This keeps something like a mess from hanging over my head.

As I typed before, I admit I won’t win at perfection, zero mess, just a bit of wisdom in the seeming madness. I have a shop-vac, several brooms and dust pants, even a magnet on a rope when needed.

Note I didn’t say “rules”. When things are ‘supposed to be’ done a certain way, or controlled this way, or filled with judgment I usually baulk, or “buck-up” as the Aunties used to say.

Rules are fine but if I make a process that functions well, it will not be perfect. I might leave my acrylic paints all out, in trays that go into a cabinet when I’m finished, but I want to see my materials. It’s like when I get new color pencils–that excites me. I can’t wait to use the new pencil. I’ll even start a new page just to incorporate it into the composition or just go crazy mono-chrome.

Leaving an organized neat area dedicated to acrylics, or oils, or wood-block, or just my easels helps me organize my day-week-month. It’s like my “visual-control” for my project management. I can manage what I see and I “go-and-see” continuously as “walk-around-management” of myself. Big job.

Raygun Build Parts

Selected items ready for  a project.

I know by working with materials on a daily basis, seeing them regularly, and monitoring my progress what I need to replenish. I don’t have duplicated materials, nor do I run out of 20% gray pencils at 3:00 am Sunday morning. I don’t waste time looking for materials and resources; I don’t have waste in duplicated items–6 pounds of “sinker” nails is more than I need for this project–and I keep a re-order list and make a time to order as needed. I also keep a list of items to trade, give away, or sell.

These concepts help me keep my spaces ready to work. Organized for production is what I like to call it. It’s also a fun way to engage with the materials, to bring an idea or inspiration to the front and spring-board into the work.

I have to make the most of every opportunity I make or every time I get the chance to make something that I think is cool. When I’m ready to get busy I am more motivated to do just that.

Going to the shop or to the studio not a struggle, it’s a pleasure.  By design.

Jack Frost, a Nano Story 2017

When I sit still I can get an idea for a story or for a drawing. It seems when I am busy or driving down the highway I get more ideas. Used to be in the shower. Now it’s commuting or chopping weeds.

11.06.17 Jack Frost p

The idea of seasons has the connotation of change or exclusivity as in “seasonal produce”. We must be ever mindful of how we alter our world.

 

 

 

All content on this blog is proprietary intellectual property. No use is granted in any format for any reason.

(c) 2017 Lemuel

 

Writing, Making Adjustments

I write stories and some of them are very short or as I call them, Nano Stories. These are  “imaginary books and their stories” with the entire bibliographical citation  “made-up”.  I write all through the year and I really concentrate on my Nano Stories in November as the time changes, evenings darken more quickly and the mornings are misty and bleak.

11.01.17 Vegan p

Typed words of another era.

I use vintage typewriters, index cards, or small sheets of paper to compose my Nano Stories and most times make the final story for a type-cast that I post online. The clicktey-clack of typing slugs (the letters) striking the paper show up on social media, like in this blog, or on someone’s feed, or on tee-shirts as typed words of another era.

I was approached to make one such Nano Story that was less than a hundred words a bit longer. “You know, fill out the details, involve other characters, and stretch it some, plot twists are always good.”

I reckoned the story was compact and gave all it could in less than one hundred words. I offered to write a different story more likely to fit their need.

“Nope,” this story in question was just the ticket for some ‘filler stories’ in an anthology. I offered several more of my Nano Stories to help fill the ‘holes’ in the up-coming story collection book.

“Nope, fix this one, please.” I liked the polite tone so I set to work fixing my story that I didn’t know needed repaired.

I worked on it for three days on and off. The story would not budge.

When I was next contacted, “How’s that re-write going. Did you get it stretched out some?”

“Nope.”

“Well, that’s too bad.”

“Yep, sometimes if you stretch a story out beyond its intended boundaries the reader will see through it then everyone is embarrassed.”

My story didn’t make the book.

 

As a side note, vintage typewriters have made a counter-cultural come-back of sorts. Will the old machines become mainstream? Let’s wait to see. The Revolution will be typewritten!

11.03.17 Coal Hogs Love Robots wm

Type-cast version of a Nano Story. The stories involve the use of “vintage” typewriters.