Art is My Super-Power

laughing-jots

I Artist

 

I have fears. I think this is common among us humans. Perhaps that is why we crave the created beings with “super-powers” so universally. The sources I cite are our myths and legends as much as a nod to modern creators around the world.

These Super-Beings have flaws, just as I do. I so-identify with their weaker bits. One observation I made early in my reading, even at their weakest they do not quit. They command their fear and they overcome.

Art has a major villain is Fear. It is crippling.

  • What if I fail?
  • Beginnings I fear the most….
  • What if no one likes what I make?
  • “This is rubbish, therefore, I am rubbish.”
  • That is that “mess” supposed to be?

Fear makes Artists “settle”, take fewer risks, make a cocoon and wrap up in it knowing, “I knew I couldn’t make it as an Artist.” So the tools and materials are put up in a cupboard where dust can collect and a comfortable forgetfulness settles.

I propose to laugh in my fears. Laughing at fear is a great way to begin an Art session.

Round One, the Sound of Laughing

  • Stand up
  • Breathe deeply
  • Smile
  • Spread out your arms so you look like a “T”
  • Rotate your arms in a close circle
  • And, Laugh for 45 seconds.

Round Two, the Sound of Laughing some more

  • Sit down
  • Breathe deeply
  • Smile
  • Stamp your feet
  • And, Laugh for 45 seconds

Now after a minute and a half I am on my way to being my Art.

Being my Art? Right, I used to consider my Art as separate from me, Art is something I do. Art is me, my spirit, my mind and its eye, my joy, and my hope. I guard so my Art is not my fear.

Laugh at fear. My Art is my Super-Power.

 

Next post: I Artist: Be Limitless, Stray from the Path

I Artist, Making the Foundation Good

 

I need some mercy on my soul
Right now–
Gimme what you got.

 

Why submit to fear?

  • Other people are counting on your fear. Your anxiety feeds them somehow. Maybe they can sense it on you.
  • That’s why clients are reluctant to pay. And why they ‘micro-manage’.
  • That’s why other Artists are salivating at their shot at what should have been yours.
  • Denying fear isn’t my suggestion. Face it. That maybe the best start. You’ll have to design the next steps.

Re-design yourself.

  • Jettison old bad habits. Heck, give yourself every break you deserve.
  • Have your work space ready for work. Pre-stage your materials.
  • Be ready to burst forth from the gate. Otherwise you’ve hobbled yourself to the ground and it’s 1:00 PM (1300 hours) and you’re staring at a blank some more.
  • Make a list. Do the list. Move forward.
  • Tell them you want more time, more money, more share. Then earn it.
  • Nothing is cheap, excellent, and on-time. Choose two. It’s a good guideline for yourself, for your studio, for us all, and for your clients

Carve out your productive time.

  • Know the cost you pay for every hour in your day. Same as with your rents, your materials, insurance, or any other cost. TIME IS MONEY.
  • Don’t put things off. I know creative people “procrastinate” but when you do, keep it on your project. If you’ve convinced yourself procrastinating puts you in a ‘highly pressurized zone where you do your best work” and that’s working for you. Okay with that. But, if that ‘highly pressurized zone’ is not where you’re getting you the results you want then, d’oh!
  • Manage your time. Work. Rest. Repeat.
  • Production is not equal to Perfect. Better done on-time than perfect.

Minimize distractions.

  • Clear out your calendar.
  • Set your phone aside for a while.

Put yourself into your work. After all it’s why the client, gallery, consumer, or peers chose us.

  • You and I may be unique but there are imitators and copy-cats
  • Only you can do what you do—and that involves being the first one in the door. After that you have to hope © and ™ will protect you.

Keep your promises.

  • Just no compromise here, okay! You don’t have enough treasure to buy a good reputation.
  • Climbing back up from that hole that is ‘broken promises’ or ‘he doesn’t care’ or what a lousy reputation is what was made by not keeping your promises.

If you fail, face it. Who said your should pretend to be super-human? Failure is when you quit. Don’t quit. You’ll never be super-human, okay?

  • Make the adjustments. Get back up. Go again.
  • Improve your work habits. Only you can over-come You.
  • Work so you can feel good about your project.
  • Create that energy, that excitement where you can’t wait to see what amazing Art you’re going to make today.

Take care of your body and your mind. Not an exhaustive list, but hey, work with it for your own life.

  • Rest & Work
  • Nourishment
  • Exercise
  • Cleanliness
  • Relationship time
  • Reflection time

No excuses.

  • Get back up if you fail. Put yourself into all your work.
  • Re-design yourself when needed. Improve your serve: Be your time manager. Don’t throw flexibility out the window. Limit distractions—close your studio for certain hours.
  • Be good to your word. Do what only you can do–produce your Art in a timely manner.
  • Stand up for yourself. Ask for more of everything you can.
  • You are the adult in charge of you. Own that.
  • Be a self-starter. Then do your Art until it is finished. And finished on time.

Art Maketh the Man

Sometimes a person needs another person to be whole. The sweet life.

One more round of billiards is a cool end to the weekend. Fine good friends.

Run one more mile before calling it a workout. Stick to it.

Nail bent1

That won’t do.

Art requires much of me. On one side,  I am filling my notebook with reminders to correct errors. In that book I record the blunders, the almost-but-not-good-enoughs, all the lessons I am learning are in there. “That’s one for the Notebook” is a common phrase around me.

I started over each time.  Ate the mistakes, went around the breakdowns, and overcame the log-jams.

That is design. The stylish well-pressed clothes and perfect hair under the lights, well, that is glamour. I hope someone else is paying for that.

On the other side, I am stocking my toolbox with tools that will help me to continuously improve over time, every day.

Attitude is part of my tool box, it is a mental process of improvement. Improvement makes me more efficient and less likely to blunder (so much).

The Fundamentals have been banged in to me from first memories:

  • Show up to work
  • Do the Beginning
  • Stick to it through the Middle
  • Be there for the End
  • Turn out the lights, day is done

Marketing is essential, but I must have something to trade on, something to grasp someone’s imagination and I must communicate clearly and simply.

 

Nails Just Right1

Just right, those nails have held well.

Talk is cheap. I must rock my art.

That is why I work every day. Art makes sense that way to me or else it is a hobby. Nothing sideways about that, go for it if that is your gig.

Art is my Fire.

Art makes me whole.

 

If you would like to comment feel free.  I usually respond within 24-hours during the week. 

Produce Art

It is fine to describe my work to others using verbs. Artists are people. We’re into artistic production; we bring ‘stuff’ forward, into the real world from the imagination. We produce.

  • I sculpt.
  • I create.
  • I design.
  • I paint.

If the conversation goes beyond a one syllable response, “Oh,” the follow-up question, if I get that far, is:

  • What sort of sculptor?
  • What do you paint? What type of painting?
  • Let me see your stuff?
  • Why have I never heard of you?
  • No way? You? Making things?

Next, I receive their advice, “Isn’t it wiser to focus on one sort of Art?”

  • I answer, “I produce results with my Art whatever my materials happen to be at the time.”
  • So you’re a Producer. They are convinced I’m in the movie business.

So the conversation switches to the script they’ve written. It’s pretty good. A mystery.

And I listen. Because I owe them one.

Footprints in sand

Make something with materials at hand

Trial and Try Again

As an art practitioner I think about art and my relationship to my work. Part of that connection to the work is how to love it.

I have a design, a plan, a pattern in mind, sometimes. Often I ‘go’ with a marker or a brush.  Some of my favorite pieces come from this exercise.

I, and bets are you too, will be required to write or to tell about your art. The artist’s statement invites others into your art. People will make up their own minds.

Often the writing or telling is about what remains when I finish.  That does not discourage me. Critics abound. I do not take on that job.

The key is to take encouragement from finishing your work.

It is fine to say, “I really don’t know what I was going for but here it is.” I created a plan and a little way in I changed it.  Starting over is exciting. Re-beginning turns my calendar on its side and presses me and my resources. Pressure is good, but like the air on your lungs—just right.

I like “trial and try again”.

Love your work.